Everybody, it seems, loves music. Now that technology has made it possible to take one’s music with them wherever they go, ear buds have become ubiquitous and conversation passé. Throw in a smart phone and Twitter or text messaging and we may be approaching the end of the era wherein no man (or woman) is an island unto themself.
I have a photo taken of me when I was five-years-old, dressed head-to-foot in cowboy gear, playing 7” records on my portable 78-rpm record player. Even though I wasn’t reading yet, I knew every record’s title by heart. As an adult, it was my wont to make cassette recordings of all types of music, from opera to jazz, from borrowed sources, meticulously transcribing the titles, artists, and recording data onto the tiny cardboard inserts. I still have them—close to 900 of them—and, contrary to expectations back in their day, they still sound fine after nearly 30 years.
All this was prologue in that small boy’s head to a career in music. To be a singer in the tradition of Frank Sinatra, Ella Fitzgerald, Peggy Lee, Vic Damone, Tennessee Ernie Ford, Lena Horne, Nat King Cole, Vaughan Monroe, Marty Robbins, Doris Day, Johnny Mathis, and Perry Como was my fondest dream. Much later, I realized that it would be even cooler to be a songwriter who sang his own material. So, I turned my ears toward artists like Bob Dylan, Gordon Lightfoot, Cat Stevens, Joni Mitchell, The Beatles, and Don McLean.
To my extreme disappointment, as my voice matured and the guitar lessons became more demanding, I realized that I had not the talent to ever hope to find myself among the hall-of-fame singers of any genre—although I would have liked to have been in a blind audition with Bob Dylan in his early days. Instead, I would have to content myself with playing my three-necked, Hawaiian steel guitar for my great aunt—the one who was a member of the Daughters of the American Revolution--at Christmas and for grade school kids at music recitals. (It was at one such recital that the other music students with whom I was on stage lost their places or backbone and dropped out one-by-one leaving me to finish the piece as a solo.)
As both a child and an adult, I have sung in church choirs but that is the limit of my public exposure. Recently, a persistent post nasal drip has caused my vocal chords to completely shut down after a couple of stanzas, putting a premature end to any illusions I may still have about bringing a crowd to its feet in ecstasy. I don’t even sing in the shower any more. (The vinyl curtain just doesn’t have the same effect as a glass one.) However, I still take great pleasure in hearing a beautiful tune sung well. Nothing else in the art world has as much effect on me. Visual arts can be stunning and beautiful but often need some background to give them meaning. Prose and poetry illuminate and entertain. But for me, nothing can inspire so much as poetry set to music. You can frame and hang a painting or tapestry and I can look at it and appreciate the talent behind it. But it doesn’t grab me by the heartstrings and wrap them around my throat. To combine the talents of a vocal artist with a brilliant writer of songs is to give flight to both art and audience.
7 April 2013
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