In the Zone, by Betsy

As one member of this group has mentioned, Mozart may be an exception to the statement “any writing is experimental.” True, Mozart was writing music not words. But there is no reason that the statement which is today’s topic cannot apply to the writing of music as well as the writing of words. Mr. Mozart is said to have been divinely inspired never having to go back over his work to correct or improve it. His writing was perfect the first try. Some might say he was continually “in the zone” at least when he was writing music.

It’s hard for me to relate to always being in the zone when I am writing. Although, I must say, some writings have come a lot easier to me than others. On occasion, depending on the topic and/or depending on my state of consciousness, I have felt myself “in the zone” as I was writing. Mostly, it is the experiences I have had that have given me awareness or knowledge which make it possible to be there. Being in the zone could be equated with being mindful—a state of complete awareness. Also a requirement for being in the zone when writing might be an element of passion for the subject and a clarity of one’s feelings about it.

I best relate to being in the zone when I am immersed in a sports activity. Some days—though they may be rare—it’s as if you can’t make a mistake in a tennis game. Or the body flows particularly easily, gently and rhythmically through the moguls on the ski slope. Those days might be rare, but we remember them—at least I do. Probably the sun is shining as well on that day, and there is little or no wind and the temperature is just right for perfect conditions.

I can recall also being in the zone in a beautiful spot surrounded by nature—feeling part of nature or one with one’s natural surroundings. Being in the zone and being completely immersed in the moment, I believe, are one and the same thing.

As for being an experiment, I’m quite sure writing falls into that category. I often set out to write about something related to the topic of the day and I find I am completely surprised at the outcome of that writing. The piece may take a totally different tack than what I had first intended.

This can apply to other art forms as well. I have attempted to draw or paint an object, a landscape, a tree or what have you. In this case I know when I start out that it is an experiment.

I have no idea how the project will turn out. I suppose that’s because I have very little experience in creating visual arts, and almost no confidence. Yet I find that to draw a tree or paint, even try to copy an object or a landscape is an adventure, and most certainly an experiment. I start out with no idea where the effort will take me, how I will feel about it, or what the outcome will be—other than either boosting my confidence or totally obliterating what little bit I had to start with.

The fact is that most active things we do—that is active vs. passive—most things we do are an experiment. Even everyday activities. That is, if we define an experiment as a course of action taken and followed without knowing the outcome. Cooking certainly can fall into that category—at least MY cooking does. Even the laundry, shopping, etc. What the heck, which outcomes CAN I be sure of. Even when I sit down to watch television who knows, (I certainly don’t)—who knows how long I will be awake.

© 24 July 2015

About the Author

Betsy has been active in the GLBT community including PFLAG, the Denver women’s chorus, OLOC (Old Lesbians Organizing for Change). She has been retired from the Human Services field for about 15 years. Since her retirement, her major activities include tennis, camping, traveling, teaching skiing as a volunteer instructor with National Sports Center for the Disabled, and learning. Betsy came out as a lesbian after 25 years of marriage. She has a close relationship with her three children and enjoys spending time with her four grandchildren. Betsy says her greatest and most meaningful enjoyment comes from sharing her life with her partner of 25 years, Gillian Edwards.