Gay Music by Nicholas

I don’t know what gay music is. In a narrow sense, gay and lesbian music is that music composed or performed by gay or lesbian musicians presumably for gay or lesbian people. There’s quite a lot of that. In a wider sense, gay music is what makes me feel gay, i.e., in the old sense of happy and inspired. There’s quite a lot of that music too. Then there is the music by which I became gay identified or queer (i.e., disco and such) and there’s plenty of that.

If gay music is that music by gay song writers, composers and performers then that can include Bessie Smith and Ma Rainey and many others singing the lesbian blues about how they do not need a man and want to find a good woman. In contemporary times, this category includes k.d.lang, Melissa Etheridge, Joe Jackson and others singing their love songs to their own kind. Then there are the Kinsey Sicks and Romanovsky & Phillips, et al. singing their musical parodies. And the musical Fairy Tale of Zanna Don’t, the gay musical that made it to Broadway (or somewhere near).

I have to mention the many choruses of men and women, sometimes together, sometimes separate, who perform a wide range of choral musical styles in nearly every large city in the country for the benefit of lesbian and gay communities.

Does gay music include composers Benjamin Britten, Aaron Copland and Leonard Bernstein (more or less openly gay), Chopin and Tchaikovsky (probably gay), and John Cage and John Corigliano (totally out and gay)? And everytime Michael Tilson Thomas steps onto the podium to conduct—whether he’s wearing his leather or not—does that make it gay music?

And there’s Liberace. Nobody knows what to do about Liberace.

There’s also music that brings out my gay identity, or memories of that, from those wild disco days. Abba (definitely not gay) was great to dance to. Sylvester (very definitely gay and no relation to our own Mr. Silvester) practically invented disco music. And Madonna—everybody knows what to do with Madonna.

There is also other music that sometimes makes me gay for no apparent reason like Beethoven (rumored to have had an inordinate interest in a nephew) and his 7th Symphony or his Emperor Concerto for piano. And the whole world of opera, though relentlessly heterosexual, just drips drama and costumes fit for any queen.

So, it seems there’s gay music all over the place, in all genres and in every era. From Bessie to Beethoven, from zany to somber, we love to listen, play, sing, dance and are probably responsible for much of the funding for whatever orchestras and opera companies are surviving in the U.S.
Gay music—there’s just no end to it.

February, 2014

About the Author

Nicholas grew up in Cleveland, then grew up in San Francisco, and is now growing up in Denver. He retired from work with non-profits in 2009 and now bicycles, gardens, cooks, does yoga, writes stories, and loves to go out for coffee.